![]() ![]() ![]() Of course, a subset of the programmable ADSR would be classic hammond "threes" and "twos". Another possiblity is suppliement the stock "chimes-guitar-marimba-glock-xylophone-banjo" percussion with drawbars to a mixer of all harmonics, plus white noise and sawtooth wave, with programmabel (analog, not digital) attack-hold-decay envelope. But I'm more of a hardware guy than a programmer. One possibility is Midi, which would drive my Valley Forge made rubber keyed sampler synth, the Ensoniq EPS. I'm collecting parts to use the cymbal-brush contacts (pretty cool for 1966, pretty weak for 2014) to do all sorts of other things. Recording forthcoming after I find a dirty contact making some rude noises on the attack. I've put ceramic or plastic coupler caps instead of electrolytics in the preamps, and have tweaked the adjustment pots so the "glock" "percussion" sound a bit like a Fender Rhodes piano. All stocker presets, tibias 8+2, bass 6060, no reverb or percussion or sustain (harp). First audition, hear "Yellow Bird" on, the first song I learned on the organ, and a bit rudimentary if I say so. The difference between my H100 and all the other ones that get whined about on the internet, mine has been restored to sound good, like 1966 all over again. My H100 Upper Manual is pretty exotic as sold, with the 6 "percussion" sounds on the UM, reverb, and a sustain("harp", which doesn't sound like a harp, it's sustain on UM b preset). I'm heading off into outer space, with a strong domestic content. ![]()
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